Category Archives: Tamil Nadu Saints

The Glory of Srirangam!

Lord Brahma worshipping Lord Ranganatha in Satya Loka

Lord Brahma, the Creator before beginning his work of creation, performed severe penance to invoke the grace and blessings of Sri Narayana. Pleased by his tapas, the Lord manifested Himself in archa-moorthi (idol) form as Sri Ranganatha inside a Pranavakara (OM) Vimana. The Lord and the Vimana were borne by the celestial Garuda, with Adisesha’s hood as the canopy over Him. Vishvaksena (Ganapati) was leading from front. The Sun and Moon were fanning the Lord on either side. Narada and Tumburu were singing the glories of the Lord. Rudra and other devatas were chanting sacred hymns and Apsaras were dancing in ecstasy. There was a shower of flowers from above. The Lord told Brahma to install Him in Satyaloka on the banks of the heavenly river Viraja and worship Him strictly according to the Agamas. Lord Sun was chosen as the priest for the daily worship of the Lord.

Lord Rama gifting the moorthi of Lord Ranganatha to Vibhishana

Years passed. When King Ikshvaku of the Solar dynasty performed rigid tapas, Brahma was pleased with him and asked what he wanted. He asked for the moorthi of Sri Ranganatha and Brahma bestowed upon him the divine gift.  He brought the moorthi of the Lord and installed it in his palace in Ayodhya on the banks of the sacred river Sarayu. From that day onwards, Lord Ranganatha who was every day worshipped by none other than Lord Sun himself became the family deity of the Kings of the Solar dynasty. And when Lord Narayana was born as Sri Rama, he also daily worshipped the royal family deity. 

After Lord Rama went to the forest in exile, killed Ravana and came back, He was crowned as the King of Ayodhya. After the Pattabhishekam ceremony, Rama personally gave away gifts to everyone and especially to those who had helped him in the war with Ravana. When it was Vibhishana’s turn, the Lord gifted the moorthi of Sri Ranganatha along with the Pranavakara Vimana to Vibhishana. Vibhishana was overwhelmed and received with great joy the idol of Ranganatha and was carrying it from Ayodhya to Lanka.

Vibhishana placing Lord Ranganatha on the banks of river Kaveri

It was dusk time – sandhyavandana time. Vibhishana looked down and saw river Kaveri flowing down below. He immediately descended down to the holy place called as Chandra Pushkarini where Ananta Sesha was worshipped. He placed the idol on a sesha-peetam there and went to the river for sandhyavandana. After he finished the rituals, when he tried to lift the idol of the Lord, he could not. The idol had found its permanent place for installation. Vibhishana was very unhappy and prayed to the Lord. Lord Ranganatha consoled him saying that He had promised His devotee, King Dharma Varma that he would come to his kingdom in the South and take up His abode there on the banks of the holy river Kaveri. As a consolation to Vibhishana, Sri Ranganatha told him that though His abode will be Srirangam, He would face South sending His divine grace and blessings constantly to Vibhishana. Not only is the Lord facing South, but the Sanctum as well as the main entrance of the temple are facing South in Srirangam – a very unique feature! The Lord also told Vibhishana that everyday at midnight he can come and worship Him at Srirangam. 

“My body melts in sheer devotion seeing your divine crown towards the West, your lotus feet towards the East, your back towards the North and your smiling face towards Lanka (South), O Divinely Beautiful Blue-hued One!” ~ Thondaradippodi Azhwar on Lord Sri Ranganatha

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I Am delighted to inform you all that I have authored a book of stories for children titled: ” Bharatiya Katha Vaibhava -1″.

The book was released for Deepavali. This book features 25 unique and popular short Stories with beautiful illustrations from our Epics, and from the life of our Saints, Sages and Rulers… This is indeed a wonderful gift for children especially to be given as a prize for competitions! You can order in bulk too. Orders are welcome for libraries, schools etc..
Please note that Ebook kindle versions and paperback version [B&W illustrations] can be bought online..Find the links..

Zorba Store:- https://www.zorbabooks.com/…/bharatiya-katha-vaibhava…/

Amazon:- https://www.amazon.in/dp/9390011663?ref=myi_title_dp

Amazon (outside India) : https://www.amazon.com/Bharatiya-Katha-Vaibhava-SHREEDARSHAN-K-ebook/dp/B08N53PM3B/

Note: To buy the full colour version book (paperback with colour illustrations) please contact the author , as they are only being printed on author’s request . Those who wish to avail of this offer, please contact/message me.(Especially if you want a full color version book, please inform at the earliest..)

For bulk orders and discounts on B&W version and for colour version books you can contact For orders please whatsapp : 9739003467 Email: naadopaasana18@gmail.com

Sri Vidya Upasaka: Dikshitar

Muthuswami Dikshitar (1775 – 1835) was one of the greatest Musician-Saints and is one among the Carnatic Music Trinity, the other two being Saint Thyagaraja and Shyama Sastri.

Dikshitar’s father was Ramaswami Dikshitar who was a Sanskrit scholar and an accomplished musician living in Tiruvarur in Tamilnadu. When Dikshitar turned twenty five, the great Chidambaranatha Yogi of Varanasi visited their house and requested Ramaswami to send Dikshitar with him for further education. His father agreed and Dikshitar went to Varanasi. He was initiated into “Sri Vidya Upasana”, and his Guru told him to constantly worship Sri Annapurneswari, the Bestower of material needs (Bhukti) as well as liberation (Mukti). He mastered the scriptures, the science of mantras, astrology, music, and was an expert in playing the veena. He came under the influence of Hindustani classical music and Western band music.

After a few years, the teacher told him that it was time for him to go back home because he had learnt all that had to be learnt. The young disciple asked the teacher what was the proof that he had learnt everything. The teacher asked him to go to Mother Ganges and take a dip. If his learning was complete, She would reward him. He went to the Ganges, took a dip and invoked Her. Mother Ganges was there in front of him with a beautiful veena in Her hand. She handed it over to him. It had “RAMA” inscribed on it and was different from the normal veenas. The tail end of the veena which is called ‘yaalimukha’ is turned upwards. In normal veenas it is turned downwards. This veena that Dikshitar used is even now preserved in their ancestral home.

With the blessings of his teacher and with this unique veena gifted to him by the Mother of Knowledge, Dikshitar travelled back. He arrived at Tiruttani, one of the famous six abodes of Kartikeya in Tamilnadu. Dikshitar was sitting and meditating on the Lord on the steps of the temple, when Lord Kartikeya came in the disguise of an elderly man, asked him to open his mouth and put sugar candy into his mouth and disappeared. At that very moment, he composed a beautiful kriti on Kartikeya with the mudra (signature) GURU-GUHA. Kartikeya also known as GUHA had come to him as his GURU.

He has composed songs on almost all deities, all pilgrimage centres and brought into the kritis the uniqueness and speciality of them all. Along with Sangeeta sastra, he incorporated the “mantra sastra” into his songs and therefore to render them with correct pronunciation and bhava, with a little understanding of its meaning will bring all prosperity to the singer as well as the listener – singing of his keerthans is equivalent to chanting the mantras.

Instances of Dikshitar bringing relief and solace to individuals as well as to the community through his keerthans are many. With a Kriti in raga Amruthavarshini, he brought the rains down on the parched land of Ettayyapuram (Tamil Nadu). He also brought health back to his disciple Tambiyappan by warding off the evil effects (graha dosha) of Jupiter, by composing a kriti on that planet. 

On the eve of Deepavali in 1835, after he had finished Devi Puja, he had a vision of Sri Annapurneswari and sang “Ehi Annapurne” – his last kriti. He remembered what his Guru had told him and knew it was time for him to leave his body. He asked his disciples who had gathered there to sing his composition “Meenakshi me mudam dehi” (Meenakshi bestow upon me Your grace) in the Raga Gamakakriya. When they sang the lines: “meena lochani pasha mochani” (O! Fish-eyed One, who cuts asunder the knots of bondage), he asked them to repeat these phrases once more. As they were repeating them, Dikshitar uttered “Shive pahi, Shive pahi, Shive pahi” and left his physical body to merge eternally with the Mother of the Universe whom he invoked and worshipped all his life. 
His compositions called “Kamalamba Nava-avarana” Krithis which are full of mystic significance are rendered even today with great religious fervour during the Navaratri festival.

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[PS: I request all to please forward and share these value based stories rich in our culture and tradition to elders, youth and children]

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The Story of Andal

Andal

Vishnuchittar also known as Periyaazhwar (9th Century) was one among the twelve prominent Vaishnava Saints of Tamil Nadu born in Srivilliputhur near Madurai. He was a great devotee of Lord Vishnu and has contributed to the philosophical and theological ideas of Vaishnavism. His major contributions include Thirupallandu and Periya Azhwar Thirumozhi.

Vishnuchittar was childless and that worried him. He prayed to God to bless him with a child. One day, when he was walking in his garden, he found a baby girl lying near a Tulasi plant. It is said that Mother Earth (Bhumi Devi) herself had appeared as a child in answer to his prayers. He brought the child home, named her “Kothai” and brought her up as his own daughter. He would teach her songs and tell stories about Lord Vishnu and His glories. Hence, the little girl grew up in a divine atmosphere of Bhakti. As she grew up, her devotion and love for Sri Hari also grew to such an extent that, she decided she would only get married to the Lord. As the days progressed, her resolve to marry the Lord only strengthened.

Vishnuchittar used to make beautiful flower garlands, take them to the temple and offer them to the Lord daily. This was his devoted nitya seva to the Lord. Kothai who considered herself the bride-to-be of the Lord used to take the garland, wear it and admire herself in the mirror and then remove it and place it in the basket to be taken to the temple. Vishnuchittar was unaware of this and used to take the same used garland and offer it to the Lord. Hence for days, the garland worn by Kodhai was being offered to the Lord.

One day, Vishnuchittar saw his daughter wearing the garland made for the Lord and was shocked. How could anyone wear what was meant for the Lord? He was extremely upset and scolded her and told her never to repeat this again. That day there was no garland for the Lord. That night, the Lord came in Periyaazhwar’s dream and told him that he liked the garlands worn by Kothai and henceforth He would only accept garlands worn by her. From then onwards, Kodhai came to be known as “Andal” – one who ruled over the Lord.

Andal’s yearning for the Lord increased day by day and her devotional outpourings are called Thiruppavai and Nacchiaar Thirumozhi. When Vishnuchittar was searching for a suitable groom for “Andal”, she expressed her keen desire to get married to the Lord. He told her that there are 108 Divya Kshetras of Lord Vishnu and she asked him to narrate the glory of the Deity of each Kshetra. She was thrilled to hear about the Lord of Mathura, smiled when she heard about the Lord of Tirumala, happy to hear about Lord of Azhagar Temple (Madurai), but was ecstatic when she heard about the Lord of Srirangam! She choose Lord Sri Ranganatha of Srirangam as her husband.

The father was worried as to how he should proceed. The Lord then appeared in his dream and asked him to bring her to the temple. Simultaneously, the Lord appeared in the dream of the temple priest and asked him to bring Vishnuchittar’s daughter as His bride from Srivilliputhur to Srirangam. The Lord also told the Pandyan king, Vallabhadevan to make arrangements for the wedding. Accordingly, Andal in bridal attire was brought in a pearl palanquin. She reached the temple of Srirangam. As every one around was seeing, she walked into the sanctum sanctorum of Lord Ranganatha and merged with Him.

Bhumi Devi who came as Andal is worshiped in Srivilliputhur. Even to this day during Tirupati Brahmotsavam, garlands worn by Andal in Srivilliputhur temple are sent to Lord Venkateshwara Temple at Tirupati. These traditional garlands are made of tulasi, sevanthi and sampangi flowers. These garlands are worn by Lord Venkateshwara during the Garuda seva procession.

During Dhanurmasa or Margazhi Masa, the verses from Sri Andal’s TIRUPPAVAI (one verse a day) are daily chanted/sung as part of Margazhi Vrata.

When emotion of devotion increases, the devotee's personality and the Infinite nature of the Lord of his heart become one-----and this is the Essence of the Experience-Supreme - Swami Chinmayananda

[PS: I request all to please forward and share these value based stories rich in our culture and tradition to elders, youth and children]

 

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Bharatiya Katha Vaibhava – Vol 1 [ Books for children] : Amazon Link: https://www.amazon.in/Bharatiya-Katha-Vaibhava-1-Shreedarshan/dp/9390011663/

Bharatiya Katha Vaibhava – Vol 2 [ Books for children] : Amazon Link: https://www.amazon.in/Bharatiya-Katha-Vaibhava-2-Shreedarshan/dp/9390640199/

Bharatiya Katha Vaibhava – Vol 3 [ Books for children] : Amazon Link:https://www.amazon.in/Bharatiya-Katha-Vaibhava-Shreedarshan-K/dp/9390640946/%5B [For bulk order of books and for discounts please contact : naadopaasana18@gmail.com WhatsApp: 9739003467]

The Making of Brihadishwara temple tower

Brihadishwara

Rajaraja I (Rajaraja Chola) was one of the greatest chola ruler  (984 – 1014 AD) who not only ruled Southern Indian but also the entire northern half of Sri Lanka. He built the great Brihadiswara temple at the Chola capital, Tanjavur. Built out of granite, the vimana tower above the sanctum is one of the tallest in South India.

Thousands of workers were engaged to work round the clock during the construction of the temple. The King’s desire was to build the tower in a such a unique way such that the shadow of the tower should not fall on the ground, at any part of the day. All the people of Tanjavur were in some way or the other involved in the construction of the temple.

In the city lived an old woman called Azhagi. She felt sad that she could not be a part of the temple construction work. However, she decided to distribute buttermilk to the workers as a “service to the Lord”. She would daily distribute buttermilk to all the workers. The construction work of the temple was coming to an end. Only one more huge chunk of rock was needed to be placed on top of the tower. Talking to one of the chief architect she expressed her sadness that she had not made any contribution towards the temple. The architect told her that they were in search of a huge chunk of rock to complete the top of the tower.

She suddenly realized that there was a big mass of rock right in front of her house and suggested to the chief architect that they can use it, if suitable. The rock was brought and the architect found it most apt with respect to its size, shape, composition, colour etc., to use it to complete the top of the tower! Hence, the temple construction was completed. Raja Raja Cholan was immensely happy for having built such a huge towering temple for Lord Shiva and prayed to the Lord for His Grace and Blessings.

That night, Lord Shiva appeared in the King’s dream where the Lord mentioned that he was happy to rest under the shelter of the rock gifted by Azhagi.  The King was shaken by the dream and immediately woke up. He was keen on meeting this great devotee. The next day the king made enquiries and himself went to meet the old lady in her hut. The old lady mentioned that she only served buttermilk to the workers and had asked them to use the huge stone-piece lying near her hut to complete the top of the tower. The King was dumbfounded at her devotion. In memory of her devotion, the king built a tank near the temple which exists even today.

[PS: I request all to please forward and share these value based stories rich in our culture and tradition to elders, youth and children]

I Am delighted to inform you all that I have authored a book of stories for children titled: ” Bharatiya Katha Vaibhava -1″.

The book was released for Deepavali. This book features 25 unique and popular short Stories with beautiful illustrations from our Epics, and from the life of our Saints, Sages and Rulers… This is indeed a wonderful gift for children especially to be given as a prize for competitions! You can order in bulk too. Orders are welcome for libraries, schools etc..
Please note that Ebook kindle versions and paperback version [B&W illustrations] can be bought online..Find the links..

Zorba Store:- https://www.zorbabooks.com/store/children/bharatiya-katha-vaibhava-1-stories-for-children/

Amazon:- https://www.amazon.in/dp/9390011663?ref=myi_title_dp

Amazon (outside India) : https://www.amazon.com/Bharatiya-Katha-Vaibhava-SHREEDARSHAN-K-ebook/dp/B08N53PM3B/

Note: To buy the full colour version book (paperback with colour illustrations) please contact the author , as they are only being printed on author’s request .Those who wish to avail of this offer, please contact/message me.(Especially if you want a full color version book, please inform at the earliest..)

For bulk orders and discounts on B&W version and for colour version books you can contact For orders please whatsapp : 9739003467 Email: naadopaasana18@gmail.com