Category Archives: lord shiva

Glory of Gokarna

Ravana’s mother was a great devotee of Lord Shiva. She worshipped the Lord with great fervour so that with the power and blessings of the Lord, Ravana would become invincible. Indra, the king of the Gods came to know about this, and he stealthily took away the Shiva linga which Ravana’s mother was worshipping and hid it in the ocean. Unable to find the altar of her pooja, she refused to touch food unless she got the Shiva linga back. Ravana consoled his mother and said that he would go to Kailasa and bring the Lord’s Atma-linga itself.

Ravana went to the Himalayas and undertook severe penance. Lord Sankara pleased with his tapas appeared before him and asked him what he wanted. Ravana asked for the Lord’s Atma-linga for his mother to worship. The Lord gave Ravana His own Atma-linga, but warned him that enroute if he placed the Atma-linga down on the ground, the Atma-linga would get rooted there itself and he would not be able to lift it up again. Ravana was very happy to receive the divine linga and started off to Lanka by the air route.

All the Gods were worried. Atma-linga in Lanka meant Ravana would be very difficult to conquer and vanquish. They all went to Lord Vishnu for help. In the meantime, Devi Parvati also was not happy with Ravana taking the Atma-linga to Lanka. Lord Vishnu and Ganapati came up with a plan to prevent the Linga from reaching Lanka.

Ravana was very particular and strict about performing his religious duties. Knowing this, Vishnu used His Sudarshan Chakra and covered the sun, which gave an illusion that it was dusk time. Ravana immediately thought it was the time to perform his sandhyavandana. He landed down on the shores of the ocean. He looked around and saw a young brahmana boy with cows standing nearby. It was none other than Ganapati in disguise. Ravana asked the boy if he could hold the Atma-linga in his hands until he finished his sandhyavandana. The boy agreed but on one condition. He said he did not have much time to spare and therefore Ravana must finish his prayers and come back quickly. “Three times I will call you, if you don’t come back by then I will place the Linga down”, said Ganapati in disguise. 

Ravana promised to come back quickly and walked towards the waters of the ocean for his sandhya prayers. Ravana had hardly reached the ocean and started his prayers, when Ganapati called out “Ravana” three times. Ravana hurriedly finished the ritual and came running back. By then Ganapati placed the Atma-linga on the ground  and started running away along with the cows. Ravana was furious and ran behind Ganapati but could not catch him. But he caught hold of the ear of one of the cows. The cow disappeared into the earth. All that remained above the earth’s surface was the cow’s ear. Hence the name of the place became Gokarna – ‘Ear of the Cow’. 

Ravana tried with all his might to uproot the Linga, but he could not. Since the Atma-linga was so powerful that it defied even the strength of his twenty hands, he called the Atma-linga as “Mahabaleshwar”.  Hence the Atma Linga of Lord Shiva is worshipped as Mahabaleshwar in Gokarna which is situated on the western coast of Karnataka.

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I Am delighted to inform you all that I have authored a book of stories for children titled: ” Bharatiya Katha Vaibhava -1″.

The book was released for Deepavali. This book features 25 unique and popular short Stories with beautiful illustrations from our Epics, and from the life of our Saints, Sages and Rulers… This is indeed a wonderful gift for children especially to be given as a prize for competitions! You can order in bulk too. Orders are welcome for libraries, schools etc..
Please note that Ebook kindle versions and paperback version [B&W illustrations] can be bought online..Find the links..

Zorba Store:- https://www.zorbabooks.com/…/bharatiya-katha-vaibhava…/

Amazon:- https://www.amazon.in/dp/9390011663?ref=myi_title_dp

Amazon (outside India) : https://www.amazon.com/Bharatiya-Katha-Vaibhava-SHREEDARSHAN-K-ebook/dp/B08N53PM3B/

Note: To buy the full colour version book (paperback with colour illustrations) please contact the author , as they are only being printed on author’s request .Those who wish to avail of this offer, please contact/message me.(Especially if you want a full color version book, please inform at the earliest..)

For bulk orders and discounts on B&W version and for colour version books you can contact.. For orders please whatsapp : 9739003467 Email: naadopaasana18@gmail.com

Sri Dakshinamurthi: Chin-Mudra

Lord Shiva, in order to instruct the Rishis and the Seers, assumed the form of a Guru and sitting on the peak of Kailash, He turned southward to serve all seekers. The term “dakshina” means “that divine power of subtle perception which is generated in a fully integrated pure intellect”. This “dakshina-power”, when flowing towards the vasana-conditioned hearts of the disciples, is called “turned southward” and this is Shiva. The Teacher is none other than the Supreme, who manifests Himself in the divine form of Sri Dakshinamurthi to bless the struggling aspirant.

It is such a Teacher, who has become one with the Infinite, and has established his Oneness with the Infinite Substratum of the Universe who instructs an integrated and well-disciplined student in the Highest Truth through the SIGN of Knowledge, called Jnanamudra (Chin Mudra).

The auspicious SIGN demonstrated beautifully to the disciple the oneness of the inner Self and the Self everywhere. Jnanamudra (Chin Mudra) is generally indicated by holding the little, ring and middle fingers erect, straight and together, and the index finger bent to touch the middle of the thumb, so that a circle is formed between the index finger, palm and the lower-half of the thumb. This sign shown with the palm they called as the “Sign of Knowledge”.

This is indeed significant. The three fingers can be indicated to mean the gross, subtle and the causal bodies, and when they are completely disciplined and made single-pointed, the (individual) Self indicated by the index finger, that presides over the body of the seeker, gets itself detached and comes forward to meet the thumb, that represents the Self everywhere present. This experience that the “Self within” is the “Self everywhere” is the Infinite Experience, and the Infinitude is represented here by the circle formed between the index finger and the thumb – a circle which can have no beginning and no end.

~ Swami Chinmayananda

For daily updates of posts on your Telegram you can join the group : https://t.me/BharateeyaSamskruti

I Am delighted to inform you all that I have authored a book of stories for children titled: ” Bharatiya Katha Vaibhava -1″.

The book was released for Deepavali. This book features 25 unique and popular short Stories with beautiful illustrations from our Epics, and from the life of our Saints, Sages and Rulers… This is indeed a wonderful gift for children especially to be given as a prize for competitions! You can order in bulk too. Orders are welcome for libraries, schools etc..
Please note that Ebook kindle versions and paperback version [B&W illustrations] can be bought online..Find the links..

Zorba Store:- https://www.zorbabooks.com/…/bharatiya-katha-vaibhava…/

Amazon:- https://www.amazon.in/dp/9390011663?ref=myi_title_dp

Amazon (outside India) : https://www.amazon.com/Bharatiya-Katha-Vaibhava-SHREEDARSHAN-K-ebook/dp/B08N53PM3B/

Note: To buy the full colour version book (paperback with colour illustrations) please contact the author , as they are only being printed on author’s request . .Those who wish to avail of this offer, please contact/message me.(Especially if you want a full color version book, please inform at the earliest..)

For bulk orders and discounts on B&W version and for colour version books you can contact For orders please whatsapp : 9739003467 Email: naadopaasana18@gmail.com

Sri Vidya Upasaka: Dikshitar

Muthuswami Dikshitar (1775 – 1835) was one of the greatest Musician-Saints and is one among the Carnatic Music Trinity, the other two being Saint Thyagaraja and Shyama Sastri.

Dikshitar’s father was Ramaswami Dikshitar who was a Sanskrit scholar and an accomplished musician living in Tiruvarur in Tamilnadu. When Dikshitar turned twenty five, the great Chidambaranatha Yogi of Varanasi visited their house and requested Ramaswami to send Dikshitar with him for further education. His father agreed and Dikshitar went to Varanasi. He was initiated into “Sri Vidya Upasana”, and his Guru told him to constantly worship Sri Annapurneswari, the Bestower of material needs (Bhukti) as well as liberation (Mukti). He mastered the scriptures, the science of mantras, astrology, music, and was an expert in playing the veena. He came under the influence of Hindustani classical music and Western band music.

After a few years, the teacher told him that it was time for him to go back home because he had learnt all that had to be learnt. The young disciple asked the teacher what was the proof that he had learnt everything. The teacher asked him to go to Mother Ganges and take a dip. If his learning was complete, She would reward him. He went to the Ganges, took a dip and invoked Her. Mother Ganges was there in front of him with a beautiful veena in Her hand. She handed it over to him. It had “RAMA” inscribed on it and was different from the normal veenas. The tail end of the veena which is called ‘yaalimukha’ is turned upwards. In normal veenas it is turned downwards. This veena that Dikshitar used is even now preserved in their ancestral home.

With the blessings of his teacher and with this unique veena gifted to him by the Mother of Knowledge, Dikshitar travelled back. He arrived at Tiruttani, one of the famous six abodes of Kartikeya in Tamilnadu. Dikshitar was sitting and meditating on the Lord on the steps of the temple, when Lord Kartikeya came in the disguise of an elderly man, asked him to open his mouth and put sugar candy into his mouth and disappeared. At that very moment, he composed a beautiful kriti on Kartikeya with the mudra (signature) GURU-GUHA. Kartikeya also known as GUHA had come to him as his GURU.

He has composed songs on almost all deities, all pilgrimage centres and brought into the kritis the uniqueness and speciality of them all. Along with Sangeeta sastra, he incorporated the “mantra sastra” into his songs and therefore to render them with correct pronunciation and bhava, with a little understanding of its meaning will bring all prosperity to the singer as well as the listener – singing of his keerthans is equivalent to chanting the mantras.

Instances of Dikshitar bringing relief and solace to individuals as well as to the community through his keerthans are many. With a Kriti in raga Amruthavarshini, he brought the rains down on the parched land of Ettayyapuram (Tamil Nadu). He also brought health back to his disciple Tambiyappan by warding off the evil effects (graha dosha) of Jupiter, by composing a kriti on that planet. 

On the eve of Deepavali in 1835, after he had finished Devi Puja, he had a vision of Sri Annapurneswari and sang “Ehi Annapurne” – his last kriti. He remembered what his Guru had told him and knew it was time for him to leave his body. He asked his disciples who had gathered there to sing his composition “Meenakshi me mudam dehi” (Meenakshi bestow upon me Your grace) in the Raga Gamakakriya. When they sang the lines: “meena lochani pasha mochani” (O! Fish-eyed One, who cuts asunder the knots of bondage), he asked them to repeat these phrases once more. As they were repeating them, Dikshitar uttered “Shive pahi, Shive pahi, Shive pahi” and left his physical body to merge eternally with the Mother of the Universe whom he invoked and worshipped all his life. 
His compositions called “Kamalamba Nava-avarana” Krithis which are full of mystic significance are rendered even today with great religious fervour during the Navaratri festival.

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Swaminatha: The Guru of Lord Shiva

Lord Brahma once went to meet Lord Shiva. When he reached Kailash, he ignored and disregarded the presence of the little child, Kartikeya, Lord Shiva’s younger son. Kartikeya was displeased with Brahma’s behaviour. He immediately questioned Brahma on the fundamental principles based on which he was going ahead with the process of creation. Brahma said that he followed the principles enshrined in the Vedas for creation. Hearing this, Subramanya asked Brahma to recite the portions from the Vedas which described the process of creation. Lord Brahma started his recitation with the Pranava Mantra “OM”.

As soon as Lord Brahma uttered the word “OM”, Subramanya stopped him and asked him to explain the meaning of “OM”. Brahma was taken by surprise, and he realized that he had no answer to the child’s question. A creator who was incapable of explaining the meaning of “OM” was indeed unfit to carry on the process of creation, and had to be punished. As the commander-in-chief of the Devatas, Subramanya imprisoned Lord Brahma and took up the entire process of creation upon himself!

All the devatas went and prayed to Lord Shiva seeking the release of Lord Brahma. Shiva came to Subramanya and asked his son to release Brahma, but Subramanya refused stating that the Creator did not even know the meaning of the Pranava mantra “OM”, and hence he should not be shouldering the responsibility of creation of the world. Lord Shiva then asked his son if he knew the true essence of the Pranava to which Kartikeya said, “yes”. Shiva then asked him to impart the knowledge of the Pranava Mantra to him. Kartikeya agreed to initiate his father into the secrets of the Pranava on one condition. Shiva had to first accept him as Guru, and appropriately give him a higher seat than the student. The Lord agreed to accept his son as his Guru, and give him a higher place than himself. The Lord then lifted his son in his arms. Carried by his father in his arms, Kartikeya – the Guru whispered into the ears of his disciple the entire knowledge of the Pranava Mantra – OM. At that point of time, Parvati came and saw her son teaching her husband! She was very happy. The Guru (Swami) was initiating her husband (Natha). She looked at her son very lovingly and said that in future her son, Kartikeya will be known as SWAMINATHA – “The Guru of Lord Shiva”, and the sacred place where the initiation took place will be famously known as SWAMIMALAI (Tamilnadu).

Swamimalai is one of the six main abodes of Lord Subramanya. Here Lord Shiva’s shrine is located at the basement and Swaminatha’s shrine is located atop of a hillock. There are sixty steps leading to the shrine, each step representing one year of the sixty years in the Hindu calendar.

[PS: I request all to please forward and share these value based stories rich in our culture and tradition to elders, youth and children]